Something funny happens when you bring up the name Harold Bloom in an academic setting. I’ve seen it happen many times: the rolled or averted eyes, maybe even a little scoff, a look that says Jesus, him again? “Write about his ideas,” a professor once told me, “and no one will take your work seriously.” If Bloom’s name ever does come up in the classroom these days, it’s usually to mock his most infamous hyperbole: Shakespeare’s supposed “invention of the human,” subject of Bloom’s best-selling 1998 book of the same name. That work, along with the tomes Genius: A Mosaic of One Hundred Exemplary Creative Minds (2002) and The Best Poems of the English Language (2004), formed the apotheosis of the old scholar’s final turn away from academia toward openly didactic, explanatory writing for a mass popular audience—and there were very large audiences for those books back then.
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